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กล้องวีดีโอ Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens

กล้องวีดีโอ Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens
กล้องวีดีโอ Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens thumbnail 1กล้องวีดีโอ Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens thumbnail 2กล้องวีดีโอ Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens thumbnail 3กล้องวีดีโอ Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens thumbnail 4
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Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens

PRODUCT HIGHLIGHTS

- Super 35-Sized CMOS Sensor

- Locking Sony E-Mount

- Integrated Electronic Variable ND Filter

- DCI 4K (4096 x 2160) up to 59.94p

- UHD up to 59.94 fps, HD up to 180 fps

- XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s

- Supports Rec. 709 and BT-2020

- Dual XQD Memory Card Slots

- Dual HD/3G-SDI & HDMI Output

- Ergonomic Handgrip with Camera Controls

 

Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera

System is a flexible 4K camera system. Designed as a camera that is at home on

productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial,

and corporate applications It features a Super 35mm sized sensor that allows you to

capture images with cinematic depth of field. The camera incorporates a stronger

locking E-mount that is fully compatible with E-Mount lenses, and supports all

electronic connections. The locking mount reduces lens play, and allows you to

use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters.

This stronger E-mount is ideal for using heavier-long cine-zooms without the need

for additional lens support.

 

Sensor

The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color

gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used

for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in

two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD

using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice

of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient,

recording at modest bit rates and XAVC Long also substantially extends the recording

time while attaining very high quality and low noise.

Signal Processing

The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI

offers three color grading spaces for electronic cinematography production. The

Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb,

Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor

on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with

a 709 monitor LUT applied.

Locking E-Mount

The PXW-FS7M2 is equipped with a locking E-Mount that provides improved

stability andstrength compared to a standard E-Mount. It features a safety interlock

system that helps prevent accidental disengagement of your lens from the camera

body. The locking mount also reduces lens play compared to a standard E-Mount

and the locking mount is strong enough to support long cine and ENG zooms that

normally require a lens support. It accepts optional E-Mount lenses from Sony,

Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows

you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well

as many others with simple mechanical adapters.

Electronic Variable ND

Behind the lens mount sits a retractable clear filter. When you engage the

internal ND filters, the clear filter retracts and a stepless electronic ND filter drops

into place maintaining the proper flange focal distance. You can program the

electronic ND filter to act as three individual filters and rotating the filter knob

will step between these presets.

Magnesium Construction

The camera body is made from magnesium, which is lighter and stronger

than aluminum. This allows the camera body to weigh only four pounds.

It also incorporates a shoulder pad and is designed to sit on the operator's shoulder

by extending the support arm of theSmartGrip, which allows the camera to be held

in front of the operator without requiring a support rig.

SmartGrip

The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which

features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera

operation with the right hand, leaving the left hand free to operate the lens.

Both the arm and handgrip can be positioned at different angles permitting

great flexibility, and it has been re-designed for additional extension adjustment.

Redesigned Viewfinder and Mic Holder Mount

With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned.

The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows

you to swap out the included rod with a longer rod (not included), allowing you to

move the position of the viewfinder or mic holder relative to the camera. You can

adjust the position of the viewfinder so a left-eye shooter can use their left eye,

while the camera is resting on their right shoulder.

Internal Recording

The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps,

and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160)

can be recorded internally without the need of an external recorder.

Media Card Slots

The camera features two XQD media slots that support simultaneous or relay

recording. The XQD card slots are shallower on the PXW-FS7M2

compared to the FS7, making inserting and removing media cards easier.

Genlock and Timecode

Genlock and timecode breakout is available with an optional XDCA-FS7, this also

allows for raw and ProRes recording with optional recorders.

E PZ 18-110mm f/4 G OSS Lens

With a wide focal-length range and a constant f/4 aperture in a compact form factor,

the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers

a versatile lens choice for lightweight operations. While the lens may seem small, it has

professional features to back it up. The 18-110m focal-length range covers moderately

wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage

the internal mechanics of the lens to minimize focus breathing, focus shifting,

and other anomalies that would otherwise be noticeable when adjusting the lens

during recording.

The body of the lens sports separate focus, zoom, and iris rings for complete manual

control. Just pull the focus ring back and full-time manual focus is engaged.

The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility.

Zoom functionality can be operated both manually and electronically.

The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved

without lag. Iris operation can be done automatically, or by rotating the iris ring.

By disengaging the iris click switch, manual iris adjustments can be made smoothly.

For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures

towards the rear of the lens for tripod use. Alternatively, a conventional lens support

can be attached near front of the lens for compatibility with rod-based lens supports.

The filter thread will accept 95mm-diameter round filters and the included lens cap.

A lens hood is also included for minimizing flare. The hood's shuttered design can be

closed when the camera is not in use.

Smooth Motion Optics

Sony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that

can have a negative impact on image quality. Focus breathing is minimized by an internal

focus mechanism, focus shift while zooming is eliminated by precise focus tracking

adjustment, and axial shift is minimized by a constant-length design.

Versatile Zoom Control

In addition to a smooth servo zoom, mechanical manual zoom ensures precise control

with an immediate response. The desired angle of view can be accurately reached by

preventing over or undershoot due to lag. Zoom ring direction can be easily switched

as required, smooth, slow powered zoom is supported, and an inner zoom mechanism

means that the length of the lens remains constant, regardless of focal length.

Professional Focusing Features

The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.

Compact Design

The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.

Optical SteadyShot

Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement.

Weather Resistance

A dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.

Teleconverter Support

 

This lens is fully compatible with Sony's separately available SEL14TC 1.4x and SEL20TC 2x teleconverters, providing extended reach while maintaining sharp images and reliable autofocus.

SPECIFICATION SONY FS7 MARK II

Image Device

Super 35mm Single-Chip Exmor CMOS

Effective Picture Elements

17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)

Signal-to-Noise Ratio

57 dB (Y)

Sensitivity

2000 lx, 89.9% reflectance
T14 (3840 x 2160/23.98p mode 3200K)

ISO Sensitivity
ISO 2000 (S-Log3 Gamma D55 Light source)

Minimum Illumination

0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4

Signal System

NTSC / PAL

Built-in Filters

Clear, 1/4, 1/16, 1/64

LCD Monitor

3.5" / 8.8 cm
Approx: 1.56M dots

Speaker

Monaural

Shutter Speed

1/3 to 1/9000 of a sec

White Balance

Preset
Memory A
Memory B (1500K-50000K)/ATW

Gain Selection

-3, 0, 3, 6, 9, 12, 18 dB, AGC

Gamma Curve

STD
HG
User
S-log3

Shooting Formats

4K 4096 x 2160
12-bit raw

UHD 3840 x 2160
10-bit 4:2:2 XAVC-I
8-bit 4:2:0 XAVC-L

2K 2048 x 1080
12-bit raw

HD 1920 x 1080
10-bit 4:2:2 XAVC-I
10-bit 4:2:2 XAVC-L
MPEG2 4:2:2

HD 1280 x 720
MPEG2 4:2:2

Audio Recording Format

LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)

Recording Formats

XAVC-I QFHD MPEG-4 H.264/AVC
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s

XAVC-I HD MPEG-4 H.264/AVC
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s

XAVC-L QFHD MPEG-4 H.264/AVC
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s

XAVC-L HD 50 MPEG-4 H.264/AVC
VBR, maximum bit rate 50 Mb/s

XAVC-L HD 35 MPEG-4 H.264/AVC
VBR, maximum bit rate 35 Mb/s

XAVC-L HD 25 MPEG-4 H.264/AVC
VBR, maximum bit rate 25 Mb/s

MPEG-2 Long GOP
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL

XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

XAVC-L QFHD 50
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

MPEG-2 Long GOP
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p

Recording Frame Rate

XAVC-I QFHD
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

XAVC-L QFHD
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p

XAVC-L HD 50
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p

XAVC-L 25
1920 x 1080/59.94i, 50i

MPEG-2 Long GOP MPEG HD422
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p

Slow & Quick Motion Function

XAVC-I mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-I mode 1920 x 1080: 1 to 180 frames (59.94p, 29.97p, 23.98p)
XAVC-I mode 1920 x 1080: 1 to 150 frames (50p, 25p)
XAVC-L mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-L mode 1920 x 1080: 1 to 120 frames (59.94p, 50p, 29.97p, 23.98p, 25p)

Maximum Recording Time

XAVC-I mode QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes

XAVC-I mode QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes

XAVC-I mode QFHD 29.97p
When using QD-G128A (128 GB): Approx. 44 minutes
When using QD-G64A (64 GB) Approx. 22 minutes

XAVC-I mode QFHD 23.98p
When using QD-G128A (128 GB): Approx. 55 minutes
When using QD-G64A (64 GB) Approx. 27 minutes

XAVC-I mode QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB) Approx. 26 minutes

XAVC-I mode HD 59.94p
When using QD-G128A (128 GB): Approx. 59 minutes
When using QD-G64A (64 GB) Approx. 30 minutes

XAVC-I mode HD 50p
When using QD-G128A (128 GB): Approx. 71 minutes 
When using QD-G64A (64 GB) Approx. 35 minutes

XAVC-I mode HD 59.94i
When using QD-G128A (128 GB): Approx. 118 minutes 
When using QD-G64A (64 GB) Approx. 59 minutes

XAVC-I mode HD 50i
When using QD-G128A (128 GB): Approx. 141 minutes 
When using QD-G64A (64 GB) Approx. 70 minutes

XAVC-I mode HD 29.97p
When using QD-G128A (128 GB): Approx. 118 minutes 
When using QD-G64A (64 GB) Approx. 59 minutes


XAVC-I mode HD 23.98pM/b>
When using QD-G128A (128 GB): Approx. 147 minutes 
When using QD-G64A (64 GB) Approx. 74 minutes

XAVC-I mode HD 25p
When using QD-G128A (128 GB): Approx. 141 minutes 
When using QD-G64A (64 GB) Approx. 70 minutes

XAVC-L mode QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 87 minutes 
When using QD-G64A (64 GB) Approx. 44 minutes

XAVC-L mode QFHD 29.97p/23.98p/25p
When using QD-G128A (128 GB): Approx. 131 minutes 
When using QD-G64A (64 GB) Approx. 66 minutes

XAVC-L 50 mode
When using QD-G128A (128 GB): Approx. 262 minutes 
When using QD-G64A (64 GB) Approx. 131 minutes

XAVC-L 35 mode
When using QD-G128A (128 GB): Approx. 374 minutes 
When using QD-G64A (64 GB) Approx. 187 minutes

XAVC-L 25 mode
When using QD-G128A (128 GB): Approx. 524 minutes 
When using QD-G64A (64 GB) Approx. 262 minutes

MPEG HD422 mode
When using QD-G128A (128 GB): Approx. 262 minutes 
When using QD-G64A (64 GB) Approx. 131 minutes

Media Card Slots

2 x XQD
1 x SD (for configuration data only)

Input and Output Connectors

Audio Input
2 x 3-pin XLR
Line/mic/mic +48
Mic Reference: -40. -50. -60 dBu

SDI Output
2 x BNC HD/3G-SDI
SMTPE292M/424M/425M

HDMI 2.0
1 x Type A

USB
USB device, miniB

Headphone
1 x Stereo mini jack
-16 dBu 16 Ohms

Remote
Stereo mini jack (Φ2.5 mm)

Accessory Shoe

Multi-Interface (MI) shoe

Power Requirement

12 VDC

Power Consumption

Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

Battery Operating Time

BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device

Temperature

Operating: 32 to 104°F / 0 to 40°C
Storage: -4 to 140°F / -4 to 140°C

Dimensions (WxHxD)

6.14 x 9.41 x 9.72" / 156 x 239 x 247 mm

Weight

4.4 lb / 2.0 kg: Body Only
9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card

 

 

 

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